János Rolla
Chamber Music
Workshop

János Rolla

Kossuth Prize-winning Hungarian violinist,
concertmaster of the Franz Liszt Chamber Orchestra,
distinguished artist

The aim of the chamber music workshop is to preserve violinist János Rolla's teaching method and pass on his chamber music experience to young, talented chamber musicians.

Tutors

The János Rolla Chamber Music Workshop

Violinist János Rolla was a founding member and concertmaster of the Franz Liszt Chamber Orchestra and a teacher in the chamber music department of the Franz Liszt Academy of Music.

The János Rolla Chamber Music Foundation was established by the artist's wife, violinist Zsuzsa Weisz, a former member of the Franz Liszt Chamber Orchestra, with the aim of preserving János Rolla's professional legacy and continuing Rolla-style chamber music training within the framework of the workshop.

The artist, who passed away in 2023, was a founding member and concertmaster of the Franz Liszt Chamber Orchestra and a teacher at the Chamber Music Department of the Franz Liszt Academy of Music. The foundation was established by his wife, violinist Zsuzsa Weisz, a former member of the Franz Liszt Chamber Orchestra.

The program is supported by world-renowned pianist András Schiff.

The mentoring program is not a master class, but a long-term training series consisting of several stages. The first 3-5 days of intensive training are followed by a month of independent work and then another 3-5 days of training. The material is selected jointly by the teachers and mentees.

The teachers of the János Rolla Chamber Orchestra Foundation are internationally renowned artists in the field of chamber music. In the first season, 2025/26, the mentors will be pianist Márta Gulyás, violinist János Selmeczi, violinist Gyula Stuller, violinist Gábor Takács-Nagy, and violinist Zoltán Tuska.

  • Chamber ensembles that have graduated from the Academy of Music and are already working together are eligible to apply for the training.

  • Applications will be followed by auditions.

  • Ensembles will be accepted into the training program based on the decision of the teaching jury.

  • The training will take place at the Óbudai Társaskör.

  • Ensembles participating in the training program will have two opportunities to perform on stage at the Óbudai Társaskör Chamber Hall.

Dates

János Pilz

November 24-26, 2026

Gyula Stuller

February 2, 4, 5, 2027
April 6, 8, 9, 2027

Márta Gulyás

February 26, 2027 10:00 AM–4:00 PM February 27, 2027 4:00 PM–10:00 PM February 28, 2027 from 11:00 AM

Gábor Takács-Nagy

December 16-17, 2026 (fully booked)

Zoltan Tuska

March 8, 2027, 10:00 AM – 12:00 PM March 9, 2027, 10:00 AM – 12:00 PM March 10, 2027, 10:00 AM – 12:00 PM

István Várdai

March 22, 23, 24, 2027
March 24 evening: concert with the Franz Liszt Chamber Orchestra | only for cellists (!)

Application form 2026/2027

Please attach the professional background of the ensemble or chamber group and the professional CVs of its members to the application form.

Tuition fees are as follows:


  • 2-day participation: (2x120 minutes) - 267 EUR / ensemble

  • 3-day participation: (3x120 minutes) - 400 EUR / ensemble


Application fee: 30 EUR / ensemble to be paid during the application process in order to finalize the submission.

Márta Gulyás &

Mathew Svec - clarinet | Spencer Adler - cello | Miyuki Murata - piano

Our foundation's namesake:

János Rolla

(Kőtelek, September 30, 1944 – December 7, 2023)

Kossuth Prize-winning Hungarian violinist,
concertmaster of the Franz Liszt Chamber Orchestra,
distinguished artist, founder of the Zemplén Arts Days.

He studied under Mária Zipernovszky at the Béla Bartók Secondary School of Music and under Dénes Kovács at the Ferenc Liszt Academy of Music in Budapest. From 1963 to 1979, he was concertmaster of the Ferenc Liszt Chamber Orchestra, and since 1979 he has also been its artistic director.

He became famous primarily as a chamber musician. His partners included Maurice André, Jean-Pierre Rampal, Alexander Schneider, Henryk Szeryng, Isaac Stern, Tamás Vásáry, and Sir András Schiff.

His ars poetica: training orchestral musicians is only possible through regular rehearsals, and he applied this principle to the Ferenc Liszt Chamber Orchestra as well.